Skinless: Works Cited in the Text
A little more insight into Skinless, Charmay. . .
I thought you might get a kick out of looking through the references I used in this Psychological Crime Fiction novel. The amount of literature, poetry, theatre, film that is referenced adds a nice twist to the genre feel, and character’s interests and inner life. (There have been a few edits since this was created, so forgive a page or two difference from what may be listed here).
Works cited in the text Skinless:
- Alice in Wonderland, 28
- “Amazing Grace,” the snow globe Rex gives Charmay places the spiritual, 106
- “A-Train,” 72
- Angel Heart, 1987, neo-noir psychological thriller, Charmay likes the film, 21
- “Angie,” (1973) Stones song, Charmay thinks of it near the end of the book when Sam comes back after the fight, 315
- Arms and the Man,George Barnard Shaw. Charmay tells Tex she’s studying in her script analysis class, Rex tells her it was Marlon Brandon’s stage swan song (1953); both of them like the play, 171,172, 173
- Baby Doll, film, based on Tennessee Williams’s 27 Wagons Full of Cotton, 1956
- Bach concerto, 83
- Backstage, where Charmay looks for auditions, 150, 221
- Barbarella, character, 223
- Beaudelaire (1821-1867), French poet, 7
- The Bell Curve: Intelligence and Class Structure in American Life, by political scientist Harvard man Charles Murray, 111
- Bible, 113
- Blueprint 3, Jay Z album, 88
- Body Heat, 326
- Bonnie and Clyde, 326
- “Born to Be Wild,” Sam sings his version while cooking, 126
- Breakfast at Tiffany’s, (1961), 40
- Bus Stop, 257
- Business of Acting, 111
- “But Not for Me,” by George Gershwin, 224, 225
- Caged Bird, (1969) I Know Why the Caged Bird Sings, Maya Angelou, one of Charmay’s faves, 108
- Caligula, 1979, 49
- Canadian Newspaper, where Charmay and Sam’s Las Vegas wedding pictures ended up on the cover, 75
- Carrie, Charmay’s aborted fetus calls up the Stephen King horror film, 355
- Cat on a Hot Tin Roof, Tennessee Williams, 96
- Caravan of Dreams, Idries Shah, 1968, 272
- Casablanca, 151
- Chopin, “Nocturne, op 9, no. 2,” 294
- Color Purple, (1982), Alice Walker, one of Charmay’s faves, 108
- “Cry like a Baby,” Roberta Flack, a song Charmay performs for Rex, 84, 227
- Danger: Diabolik, 1968 film, 89
- Dead Eye Boy, The, 237
- Divorce American Style, 253
- Family Feud, TV game show, 155
- Fantasia, 127
- Elementary Gazette, Charmay’ school paper, 49
- Enquirer, 292
- Entertainment Weekly, 313
- Faster, Pussycat! Kill! Kill!, Russ Meyer film, Charmay boasts to Sam’s parents that a director has asked her to study a part from the cult class, 225
- Fear of Flying, Erica Jong, 325
- Fool for Love, Sam Shepherd, Charmay played May, 94
- Fortune, 199
- “Four Quartets 4: Little Gidding,” T. S. Eliot’s, 265
- Friendship, 128
- “Für Elise,” Beethoven’s bagatelle, tune playing on a ballerina music box of Charmay’s childhood, 57, 107
- Gemstones of the World, a book from Drew’s mom, 176
- Gift of the Magi, The, O’Henry story, Charmay thinks she should have used this reference instead of The Muse, at Sam’s shrink’s, 203
- Gilda, namely Rita Hayworth, 257
- “Girls, Girls, Girls” Motley Crue, 53
- Giselle, from Lion King 218
- The Glass Menagerie, Williams, Sam compares Charmay’s daydreaming to Laura in the play, Charmay had play Laura at Stella Adler’s, 96
- Grinch, character’s name from How the Grinch Stole Christmas, 162, 185, 295
- Hatful of Rain, Gazzo, Charmay tells Rex she’s playing the lead, 150, 151
- Home Cooking, name of magazine at Sam’s shrinks’, 199
- “Honey in My Honeycomb,: Ethel Waters, 59
- “Hot Legs,” song Sam sings while cooking, 126
- How the Grinch Stole Christmas, opening lines of the song from, 295
- “Hush,” by Maggie Moor, 122, 123, 304
- Importance of Being Earnest, The, 151
- “I Thought About You,” Johnny Mercer, 224
- James Joyce’s The Dead Broadway musical production with Christopher Walken (1999), 269
- Jetsons, The, 154
- Kama Sutra, 35
- Kids, magazine at Sam’s shrink, 199
- Last Exit to Brooklyn, 21
- Last Seduction, The, 1994, 292
- “Lilac Whine,” song by James Shelton, 1950; Charmay tunes into the song when she’s with Rex at Hudson’s, 69
- Lion King, The, 226
- Little Lord Fauntleroy by Frances Hodgson Burnett, 8
- “Love Potion Number Nine,” Searchers, 186
- Lucia di Lammermoor, Donizetti, 85
- Magnolia, film of P. T. Anderson (2000), 27
- Maltese Falcon, Falcon, 327, 331
- Miss Sadie, Rita Hayworth film, 257
- Moby Dick, 338
- Modigliani painting, 28
- Mozart’s “Allegro” from A Little Night Music, 184
- Muse, The, 291
- “My Mother’s Son-in-Law,” 185
- National Geographic Nautical Photographs, 110
- New Rose Hotel (1998), 264
- New Testament, 113
- New Yorker, The, 236, 237
- Night before Christmas, 338
- 91/2 Weeks, film, Charmay tells Sam Rex is obsessed with the film, 118, 263
- “numb”, Beth Orton, Portishead, 50
- Old Testament, 113
- Oz, 31
- Paris Nightlife, Picasso painting, 245
- “Pearly Gates, The” Barostti cartoon, 237
- Pope of Greenwich Village, (1984) 21
- Porter, Cole; standards, 221
- Post, The, copy in the pocket of the Lucky Strike owner, 248
- Pride and Prejudice, 199
- Rainman, 343
- Requiem for a Dream, 268
- River of No Return (1954), 257
- “Run This Town,” Jay-Z, 88
- Sacred Dance, 36
- Sea of Love, 19889, film, 268
- Sex in the City (1998), 320
- Short Cuts, 237
- Simpsons, 163
- Sleeper, 174
- Sopranos, second season, 226, 320
- Spiderman, 263
- Spoon River Anthology, 69
- Starry Night, Van Gogh, 1889, 199
- “Sussudio,” by Phil Collins (1985), 187
- Taming of the Shrew, 25
- Times, The, 237
- True Romance, 1993, pop culture film, Charmay likes, 21, 76, 268
- Twenty-Four Hours A Day, Hazelden. Daily meditations, 281
- Water Lilies, Monet, 1914-1926, 199
- Whatever Happened to Baby Jane?, 117
- When God Was a Woman, by Merlin Stone, a book Charmay read in Marin, 36
- “Where is Everybody?” Nine Inch Nails song, 291
- Where the Wild Things Are, 116
- Who’s Afraid of Virginia Woolf, Charmay and Sam had played Martha and George in the Albee play at the Adler studio, 89
- Why Do I Feel Nothing Without a Man, book mom reads, 72
- Wicked, 240
- Yellow Pages, Mom uses them, 282, 293
- “You Can Leave Your Hat On,” 118, 263
- The Young and the Restless, soap opera, 245 [LINK to SKINLESS: MY WHY?]
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